Neon sign of XXX

You Write Erotica

I’m a proud writer of erotica.

It took me years to finally embrace this and say it out loud for a variety of reasons—you can read a little about that journey here—but as it stands I’m a huge supporter of the genre, and was such well before I officially started calling myself an “erotica writer.” I have always believed that feeling comfortable with your sexuality and speaking your mind about it is vital and valuable no matter what your experience, and eventually, I recognized my thoughts on writing sexual fiction and nonfiction were identical to those I had on the act in general. Finally, I found myself ready to bring it into the light, and have been excited to do so ever since.

So cut to this last weekend, when I started going through old poetry and unearthed a piece written five years ago, when I was just barely starting to test out the phrase I write erotica. The poem was based on a real encounter with a man with whom I’d had a very extended conversation—extended and detailed enough, anyway, that mentioning I write erotica felt like a natural part of the discussion. After rereading the piece, I got to thinking about the act of saying one writes erotica. Strangely, even five years later, it’s a statement that provokes a broad spread of responses, some so drastic that the simple act of saying it might need to be censored. In the best case scenario, we get a loud cheer or encouraging smile, or maybe even enthusiastic questions. In others, we might be greeted with a condescending frown, or a quiet shushing to acknowledge this topic isn’t the most appropriate for the venue. Occasionally (and sadly), we aren’t able to say anything at all.

And still sometimes, the below happens.

Peculiar, isn’t it?

XX,
Jade

Neon sign of XXX

YOU WRITE EROTICA

by

Jade A. Waters

I write erotica, she said
And you could see him practically
Come himself
Really?
Yes, yes I do
Perhaps she shouldn’t have shared this
But when he asked her what she wrote
It seemed the next logical phrase

It was true after all

So like, you write about sex
Yes, I do
Like porn
No, not like porn
Like eloquent porn
With some of the raunch
But more generous in the art department

I see, he said
Adjusting his pants
And trying to hide the subtle turn
Of his lips at the corner
So you write pretty, raunchy, and clever porn
When she smiled
He grabbed her hand

I wouldn’t normally do this
And you can say no if you want
He said, leaning back on his heel
But if I didn’t have a girlfriend, I have to say
I’d totally ask you out

She stepped back herself
A little put off
And wondering if maybe she shouldn’t have mentioned the erotica
But he continued
I could always use more friends, though
Would you like to be friends?

He squeezed her hand
Running a finger along the inside of her palm
And she glanced at it as his words grew quieter
Maybe I can help you
With some inspiration?

*

 

What You See

 

Strength

Ammentorp ©123RF.com

WHAT YOU SEE
by
Jade A. Waters

There is a girl
Beautiful, broken, bruised, smiling
She is all of these things
She’s got a history
You can never fathom
Though you try.
She’s moved mountains
Swum oceans
Run miles
Through thorns and rocky terrain
That
From the looks of her
You’d never imagine she could have faced.
What you see
When you look at her
Is the beautiful
And the smiling;
You don’t see the black and blue
That’s forever imprinted on her soul
You don’t see the scars
On her heart
Or all the battles she’s won.
You only see the beauty, the afterglow
The radiance she’s worked so hard to keep
Despite the scratches running the length
Of each of her veins
Marring her for an eternity.
She doesn’t flash them often—
She doesn’t need to, doesn’t want to
Because she’s earned these smiles
She’s stolen back this beautiful heart
She’s claimed a lifetime of looking forward
After what was.
But sometimes, when you look at her,
You tell her what you see
Like it’s all there is
And anything she could share with you
Is trivial and mundane,
Petty figments of her imagination
That couldn’t possibly be
Because how could a girl
Who looks like this
Have experienced that?

I hear you
I really do
It’s hard to believe something that ugly
So many things that ugly
Could have happened to one single soul,
But the truth of the matter is
They have.
So
Before you tell me it can’t be that bad
Tell me I’m lovely and happy
I’m lucky
And so it could never have happened
That way
For me,
I want you to look at me
Really look at me,
See the beauty, sure, but see the bruises
And the marks deep inside, too
Please.
I ask of you.
I’ve earned them
I’ve fought through them
They are who I am, part of me, always me
My right to feel and have
Not whatever it is you keep telling me
That you see.
That?
She’s a different girl
Who isn’t
And never was
Me.

*

Black and White Art Photo of Woman's Hips

“Open” — a Poem, in Audio

I think it’s safe to say all writers love words. We love the shape of them, the feel of them, the way they play together on the page. But while most writing is meant to be read in quiet, there are occasions when it’s the sound of the words that really counts.Black and White Art Photo of Woman's Hips

I make no secret in my bio that I once read synonyms to a lover as foreplay. In that moment I enjoyed not writing the words, but dancing them off my tongue, letting them resonate and seduce in just the right way. And though I’ve read a few stories aloud before, those pieces weren’t written with that intention in mind. Which is why today, I’m trying something different.

I wrote “Open” about seven years ago as a poem to be read aloud. On the page, it reads to me as a series of staccato lines and words—whereas in my head these phrases are better played with in tone, volume, and voice. So with that in mind, I’ve opted not to just post this old poem, but to read it to you, too. It’s quite short, but I’ve read it as I imagined it when I wrote it—not as a string of words, but instead as sounds meant for a lover’s ear.

I hope you enjoy it.

XX,
Jade

OPEN

    by

Jade A. Waters

Come
Inside
Fill me
Take me
Your love
Within
Divine
I ache
I pine
The heat
Engulfs
And burns
Throughout
I feel
You throb
I move
On you
With you
To you
A beat
A pulse
That stirs
That moves
Us on
As one
Together
Push
And rub
We glide
You slide
Deep
In me
You are
You live
I breathe
To feel
This
You
In me
With me
Press on
Once more
And then…

 …Come again.

Man over woman looking breathless

He’s Got Her

I rarely write while drinking. For one, I’m usually out with friends, and sitting down to pen something wouldn’t work in the moment. Then, there’s the fact that my creative process simply doesn’t flow under those circumstances. I might have some good ideas, but they won’t come to fruition in any sort of cohesive way until I’m completely clear-headed.

That’s why today’s poem is a bit of an anomaly for me. A month ago, my friend and I met and played our usual rounds of dice games over drinks at a local bar. And as the evening progressed, we shared a powerful conversation on those people who rip you right out of your comfort zone—loves who make you see things differently, move you in ways you didn’t imagine, and break straight through to your soul. Sadly, he had to leave soon after, but I was still buzzed and nowhere near ready to drive. So I sat in my car for a while, texting friends, reading blog posts, and replaying the conversation.

It was then this poem started writing itself, inspired by the heady nature of the discussion and some memories of my own. I wasn’t able to finish it that night, but I’ve finally pulled it up off my phone notes and touched up a few spots. For the most part, I left the original poem intact.

So today, I’d like to share “He’s Got Her” with you:

Man over woman looking breathless

Sakkmesterke ©123RF.com

HE’S GOT HER

by

Jade A. Waters

He’s got her
Spread out
Naked
Her limbs stretched across this bed
Wrist to headboard
Foot to base
But this has nothing to do with
That.
It’s the way he looks at her
The way he sees inside her soul,
The way his fingers dig
So deep inside her cunt,
Finding her secrets
Her truths
And all her dreams,
With the flick of his wrist and a glint in his eyes.
She thinks for a moment
It’s not right that he can do this,
Not right that he can take her
From cynical to believer in seconds
But he does,
Every time he holds her
Kisses her
Loves her.
This is what she realizes
As he circles her clit with his tongue
And drives those fingers inside;
He’s got her,
Caught her,
Ensnared her heart and soul in his net
For a lifetime to come
Because it’s supposed to be,
Was meant to be.
It is.
So when he thrusts into her,
Grunting, bearing, deep and loving,
She knows—
This love he takes from her
This love she freely shares,
It was never hers to give in the first place
Because she’s always
Belonged to him.

*

I hope you enjoyed it.

XX,
Jade

Wicked Wednesday

Part of Toby's Poem

Today I’m Going to Share a Sad Story

Twenty-one years ago today, I lost my virginity.

That experience itself is not a sad one, but it’s important; I was 14-years-old, and having already had my first sexual awakening a few months before, I’d known when I started dating Toby that he would be the one. He was three years older, an incredibly tall and thin brunet with long hair, graceful fingers, and the most prominent, lovely nose. We’d started phoning one another after he stopped me on the sidewalk outside my Taekwondo studio, where he’d told me he loved my smile and eyes.

What he didn’t know then was that I already had a crush on him. We’d both auditioned for Tevye and His Daughters a couple months before, and while I’d had to drop out of my miniscule role because I had too much homework that I took very seriously, he’d gone on to perform as Tevye in a manner that didn’t fit his 17-year-old frame. It was on that stage Toby struck me as different from all the other boys, as if hosting wisdom beyond his years, but also a presence that couldn’t be explained in any terms I understood then. It wasn’t that he was confident, or dominant, or anything we might imagine when we think of onstage presence; instead it was an aura of listlessness, of discomfort. He was a young man who struck like the gentle beat of the carotid through translucent skin—rich with life blood, and yet so faint you might miss the ghostly tick of who he was.

I discovered I was right about this feeling when Toby and I started dating. There was something about the way he gazed wistfully out the window, and the unusual things he chose to discuss and dwell on. Then there was poetry; long before we’d ever kissed, I’d read him one of my early poems when we sat together in the park. I’d stopped mid-line, suddenly embarrassed and thinking there was no way anyone would really want to hear this blubber I was writing in which I poured out my soul, my ache, and all my love—but Toby did. After, he begged me to write more, to read to him over the phone so he could savor the words and ask me all about what I was thinking when I wrote them. Occasionally—after much encouragement from me—he shared one of his own, and in time, this became our habit. Poems and letters formed our connection, the secret we’d found to express ourselves beyond the physical moments we spent cuddled in the dark, talking of dreams and the futures we imagined for ourselves. Mine were tangible and real, fantasies I could make happen if I set my mind to them. But in Toby’s written words I learned something with which I’d never been familiar: the idea that someone could truly find himself not fitting in this world, that his very existence, for him, was in question at every moment of every day.

By the time we decided to have sex, Toby had shown me more of him. There was a youthful playfulness that distorted his face when he tried to fit in, as if underneath something lingered, a quiet unease that only spilled out on paper when he spoke serious fantasies of living in different eras and places. He made it sound romantic, this obsession with running away from here and now—and this was part of the reason I asked him to be my first. It happened in the middle of the night after he snuck his long, lanky body through my window, kissed me while he slowly peeled off my clothes, and then laid me down on the carpet of my bedroom floor as the moonlight streamed in through the open window and over our skin. Toby kept his lips on mine the entire time, as we both tried, desperately, to stay silent lest we get caught.

In truth, the experience was not what I’d expected. I wondered why people made such a big deal out of this thing. All the other physical acts we’d shared had struck me as more pleasurable, more intimate—and what I wanted in that moment was something more meaningful, to light a candle by which we could whisper our poetry aloud, like we did all the other times we’d been together. I’d been trying to make sense of Toby for so long, and now, this close, this forcibly connected, I needed to understand him, to peer into his soul and see why—despite all his love, his caresses, and the way he claimed he felt happier with me—he still struck me as so lost inside his head.

Part of a poem once written for Toby

Toby’s Poem

Our lovemaking continued for only a month after that, each time better and attempting to draw us closer. It was a physical act to meet my ache for understanding, and perhaps one that represented his need for a world he couldn’t find in his family, friends, or the comings and goings of high school life. And when we broke up, it wasn’t because he was acting as the lost young man I’d come to know and treasure, but instead the laughing, joking boy he thought he was supposed to be.

*

It was almost four years later we ran into one another, and everything, while different, had stayed the same. Toby complimented my eyes; I told him I still loved his nose. He was thinner, lankier, and his eyes had grown darker somehow, like he’d taken on more of the world’s weight and it had sunk the skin around them as a mark of all he had to carry. But when he asked if I still wrote poetry and I flashed a reminiscent grin, he brightened up. He told me he missed my smile and that we should catch up over poetry and wine.

I honestly can’t remember much of the dinner we shared when we met a week later. The trials that had happened in our lives—rumors that had spread around town about me, and the rumblings I’d heard about him through friends of friends—were all irrelevant as we sat across from each other. We both pulled out the notebooks we’d written in over the years, eager to share everything we’d thought and felt about life, other lovers, and what the future would bring. After our meal, Toby bought a bottle of red while I stood outside the liquor store in the cold night air, wondering if the love we’d make would feel the same to an experienced 18-year-old as it did to the virgin he’d soothed and welcomed into his mystery all those years before.

When we arrived at my house, we uncorked the wine and sat facing each other, poetry in hand as we read, back and forth, for the next couple hours. There were many toasts, many utterances of encouragement, many awed shakes of heads at what each of us had expressed over these few years that felt like a lifetime of change. He stopped me, at one point, telling me he was so glad I’d never stopped writing. I’d dropped my notebook to my lap, beaming and blushing—no one but Toby had read so many of my words, and certainly no one but him had encouraged me to keep writing them. In the same way, I loved what he’d done with his own, and I told him so.

It was somewhere after our second glass we started to kiss.

The memory is ancient and tainted with the fuzzy haze of wine, but what I do recall is this: two naked bodies curling under the sheets, fingertips grazing each other’s sides, tracing memories and yet learning something new, something changed. There was more wine, then more poetry. We whispered it as we made love again, this time a little older, more sure, knowing it was the magic of the lines we read that fueled our fire, that maybe seemed to others strange—two people reading as they arched and bowed, breaths wavering between the words—but that for us remained the secret to our true selves, and what we sought to understand in one another. Our rapture was in poetry, and when we woke in the morning and he kissed me goodbye, I remember thinking it was the real way we were supposed to end: the writers who’d loved, not just the lovers who’d written.

I lost Toby after that night. I heard he moved away, somewhere strange, some other country he’d always wanted to visit. As close as we’d been that night, I’d read in him that comfort in his skin remained a diaphanous, tenuous thing—that despite his beautiful words and loving touch, he still wasn’t all that sure of the world or his place in it.

Wherever he was, I hoped he’d soon find the solace he’d been looking for.

*

It was over four years later I got the news.

My life was a vastly different one then. I was nearing the end of a five-year relationship that lasted five years too long, one that, without saying too much, broke me in ways women should never be broken. And it was while this boyfriend visited my apartment that my best friend called to tell me what she’d heard about Toby through some mutual friends. She’d dated him too, for a short while before I’d ever met her—but through the years, she knew who and what he was to me.

She spilled it all in a moment, her low tone signaling the gravity of what she had to say: Toby had been living in Europe with a pregnant girlfriend. No one had seen him in a while, but everyone thought he might finally be happy.

And then he killed himself.

My reaction had been stifled by the look I got from my boyfriend. I didn’t know how to act, how to feel. I’d never lost anyone before, but I found myself remembering Toby in that instant as I’d first known him—a lost young man, living in the wrong world, the wrong time, searching for something that fit and never quite finding it, writing letters and poetry that forever tried to make sense of it all.

“So he killed himself and he was your first. Big fucking deal,” was what my boyfriend said to me. “You dated that guy? He was your first? What a loser.”

And because my reaction would determine what came next between us, I didn’t say anything more.

*

They say you always remember your first, and I believe, for many, this is true. There is something to be learned in your first time—awakening, desire, love, pain, change. And yet, when I think back to my “first,” I hardly remember that moment with Toby on my bedroom floor. What I remember instead are those moments sharing ourselves in the poetic way only we understood, and, deeper than that, the lost man I tried so hard to understand but never fully could. With it all usually comes a sense of grief and loss, a feeling that rose and fell so fast then, never expressed in a way that suited the connection we shared every time we read our words.

Most of all, there comes the acceptance that sometimes, you can never truly understand what’s going on inside a person’s soul. You can encourage them, and you can empathize, but there’s always so much more beyond what they will let you see.

And the only thing you can do is treasure them anyway.

XX,
Jade

For Toby.

Picture of man about to kiss woman

A Poem for Wicked Wednesday: The Wait

Today feels like a poetry kind of day…

I hope you enjoy it.

XX,
Jade

Picture of man about to kiss woman

Konrad Bak ©123RF.com

THE WAIT

by

Jade A. Waters

He cups the side of my face
Thumb rubbing gently, mindlessly
Across the surface of ruddy skin
That waits for more—waits for him.
“Spread your legs,” he says, and I do,
The rush of air kissing my thighs
Grazing the naked heat of my cunt.
“Just like that,” he says,
His fingertips traveling down
Faintly tracing the slope of my neck
The curve of my breast,
And teasing my nipple
In quick, playful tugs.

“Touch me, please.”
My words are a growl
Coming out so deep, so hungrily
I’m sure they emanate from where I ache
Where I need him more than anything,
But still he makes me wait.
I am open
While he strips off his shirt
Unzips the fly on those trousers
And eases himself out.
He is beautiful, hard,
And he circles his length
In sync with the strokes of a finger
That he winds round my nipple
Before he stands in front of me.

“How badly do you need me?” he asks,
And my answer is an eager lean, an easy moan,
The wrap of my lips
Around the head of his cock,
My eyes on him as I suck him deep
Clutching his hips, drawing him further.
A gasp stumbles from his mouth
When he tilts back his head.
“Yes, just like that,” he moans,
“You must really need me.”
He cups both sides of my face now
His palms electric on my cheeks
His fingers twining in my hair
Before he jerks me back, abruptly
Stealing his gorgeous cock from me.

There is a moment between us
No movement
No sound
Eyes locked as we acknowledge
This wait he puts me through.
Then he pounces—
Pushing me back,
Spreading my thighs ever wider
Before thrusting inside,
Filling me, hard and deep
And bringing cries to my lips
Shudders to my body,
As he makes me wait no longer.

Wicked Wednesday

B/W image of woman cuddling close in man's lap

Because of the Way He Held Me

Many of you know I write poetry, and usually, it’s quite erotic—whether it be romantic and erotic or downright dirty and erotic.

Today, I’ve got a new poem for you—but it’s not as erotic as I normally write. It’s getting back to my poetry roots, somewhat: a little darker, a little deeper, and in many ways, a little more raw. There was a time all the poetry I wrote was based on something that happened to me, or a relationship I had; this piece definitely flows in the same vein.

I hope you enjoy it.

B/W image of woman cuddling close in man's lap

BECAUSE OF THE WAY HE HELD ME

by

Jade A. Waters

Two silhouettes in a room
Filled with smoke, voices loud
He came to me, cornered me
Whispered, “Won’t you come with me?”
His arm twining round my waist, pulling me close
And I did, knowing for certain
It would be because of the way he held me.

Our dance began—magnificent, tremendous,
Two rushing rivers of lust,
Two colliding powers of desperate force.
When he stared into my eyes, I saw everything—
The world, the stars, the secrets to our souls.
It was all wrong
It was so right
But it was because of the way he held me.

Together, we moved
Hips joined, breaths one
A fire so deep the earth trembled, rolled, split open
A tsunami of sensation crashing over him, over me
Over us.
We were the tide, controlling rivers, lakes, and oceans,
We were the universe
All because of the way he held me.

In the dark of the night, we lingered close
His words more whispers, his fingers tracing swirls
Over the tender spread of my hips—
“Because you’re mine,” he’d say.
And I would cave, succumb
And feel
Making wrong a broken word I didn’t understand
Because this was right
And all because of the way he held me.

Now, the wash of memory sweeps across a distant shore
But his hands are still on me, his lips still near
The brand of a lifetime
So deep in these pores.
And I know it will be this way,
A long, long while
Because of the way he held me.

*

Thank you for joining me for this one.

XX,
Jade

"Red Hot Zombie Cock" KMQ's cover by Big Daddy Caraway

“Owned” Opens for Tamsin Flowers’ Sexy “Red Hot Zombie Cock” on the KMQ’s!

Hi everyone! It may be Monday, but I’ve got fun news for you!

Remember Rose Caraway and her fabulous performance of “Soundscapes” on the KMQ’s back in July? Well, today she revealed a killer new episode. This time, not only did the KMQ’s perform another piece from me (“Owned,” one of my poems from the 7-Day Poem Challenge), but it was read in Big Daddy Caraway’s smokin’ hot voice (wow, oh wow wow wow) and it was paired with…

Wait for it…

Wait for it…

My brilliant pal Tamsin Flowers’ “Red Hot Zombie Cock”!

I couldn’t be more thrilled!

"Red Hot Zombie Cock" KMQ's cover by Big Daddy Caraway

Big Daddy’s fabulous cover for the tale!

“Red Hot Zombie Cock” is the first story in Tamsin’s insanely clever collection, Zombie Erotoclypse. I remember the first time I read this tale—I thought, oh my god, this woman made zombies sexy! Not only is she an incredible writer, but she’d done something new. I loved it! And hearing it narrated by Ms. Caraway with Big Daddy’s awesome musical choices? Fantastic!

Then, of course, Big Daddy narrated my poem “Owned” to open the show, and I’m telling you—my whole day was made complete. Between his voice and Tamsin’s zombies just in time for Halloween, it’s quite a ride!

So, please head on over to The Kiss Me Quick’s to give this episode a listen. I hope you’ll enjoy it!

XX,
Jade

My personal optimist motto pencils, a gift from Alison Tyler

You Win Some, You Lose Some (But Then You Win More)

It is finally October.

*Breathes enormous sigh of relief.*

My Sexy Optimist Pencils from Alison Tyler

Alison Tyler got me these pencils from Carbon Crusader as a participation prize—with my own personal motto on them!

To be clear, September was probably the most brutal month I’ve had in years. I had a gazillion things going on (no, really, a gazillion), and I felt more challenged than the proverbial hamster on a wheel. See, I was a runner on a treadmill asked to juggle fireballs, kittens, and jello with one hand tied behind my back, wearing a blindfold and chewing gum while also singing Christmas carols. It was nuts! My day job went full-tilt chaos; I had so many events scheduled I turned insomniac again; I had a jury duty run that, to be honest, was extremely emotional and brought up some old “stuff” for me (fortunately, I was dismissed after two days); and on top of all that, I wasn’t getting my words in. I’m an extremely fast writer, but when you don’t have the time, you don’t have the words. I also try not to write when I haven’t been sleeping, because bad things happen—I get forgetful. Plot points disappear. Characters lose important traits. Dialogue gets painful. And on and on…I mean heck, even outside the writing, I was so tired I had two conversations with a friend in one day and completely forgot it was her birthday. OMG. I don’t do that, like, ever—I’m the Keeper of the Birthdays! (Fortunately, she’s not a big birthday person. She laughed the whole thing off and told me to get some sleep.)

So all stressful things aside, here’s the deal—I’m generally a super optimist. I admit, I struggled to hang on to that as the month continued, and I had to keep reminding myself what a certain family member of mine always says: “How do you eat the elephant, honey? One bite at a time.

I would never eat the legendary Bertha, but you get the idea.

I would never eat the legendary Bertha, but you get the idea.

So I kept repeating that to myself…

One bite.

One bite.

One bite.

Come here, Bertha baby, you’re mine.

In truth, some of this figurative elephant eating was pretty kick-ass, and since there was so much goodness, I’m going to list it out for you:

♦ I got to join Rose Caraway in a bunch of readings for The Sexy Librarian’s Big Book of Erotica. It needs to be said I love reading out loud, plus, I got to read my girl Tamsin Flowers’s delightful story, “POW! It’s Shibari Girl!” Great story, great events, AND, as it turns out, reading with Rose is better than ice cream with brownies and fudge sauce on top. It’s so much fucking fun! It doesn’t hurt that she and her fabulous husband, Big Daddy, are like the nicest, sweetest people on the planet, so every event I attended and participated in was fantastic!

♦ I hung out with other amazing people at all these events, too! Of course there was the lovely Malin James (whom I’m so close to I’m convinced she is my twin separated at birth), the sassy and delightful social media guru Eva Gantz, and the charming and sweet Sinclair Sexsmith. I had so many incredible conversations with each of them!

♦ Malin James and I went to one of Rose Caraway’s events as viewers, and we ended up having drinks with Rose, Big Daddy, and the legend that is Rachel Kramer Bussel. Guys, seriously—I had drinks with Rose, Big Daddy, Rachel KB, and Malin! Holy smokes!

♦ I finished my edits for Coming Together: Among the Stars, a sci-fi erotica anthology edited by Lynn Townsend and coming soon to benefit International Still’s Disease Foundation. I’ll have details on the book and my story, “The Joy Ride,” in the near future!Cover of Among the Stars

♦ I joined a randy group of wild writers for an upcoming anthology called Chemical (Se)X. Details forthcoming, but for now I’ll just say chocolate and sex.

♦ I got to support my graphic memoirist friend, MariNaomi, in the release of her new book in San Francisco! Mari is a personal friend and mentor in many ways, so I loved seeing her celebrate the release of her book. So proud!

♦ I celebrated my soon-to-arrive niecey #2 or nephew #1 (to be determined!) at a baby shower. (I love being an auntie.) 🙂

♦ I wrote several erotic poems inspired by the challenge Tamsin Flowers issued at our last Pillow Talk Secrets session. This was fun and fabulous; I got to stir up my poetry roots while getting in some smutty words in seriously short time increments—and I even started a page for it! This was the bulk of the writing I did all month. You know what? It wasn’t a ton, but it still felt like a win. And speaking of wins…

♦ I shared more fabulous moments with my Pillow Talk girls. Malin James and Tamsin Flowers are, quite simply, the loveliest. I’m a happy camper having the both of them in my life. (MUAH to you both!)

♦ And then there was the ginormous feat…I completely transferred my website to a self-hosted space. This involved a whole heck of a lot of design and setup work behind the scenes that could not have been possible without my awesome teacher, DomSigns. When his dreamy wife, Molly Moore, initially offered to help, I had no idea what I was in for—namely, a bevy of delightful Skype sessions that resulted in (a) me learning a ton and (b) us laughing a lot (mostly at naughty jokes). I can now proudly say that this site is damn near done and censorship free. There are a few other little things I have planned and/or need to fix, but holy torpedo, Batman, transfer complete!

So basically, despite all the chaos, I came out smiling. I may be ragged and tired, but I’m happy and have time again—which means I can get back to the book I had half-written before The Attack of September. Yeah!

Now, I just have one more thing to say:

October, baby—you’re my bitch.

XX,
Jade

 

Woman lying on top of man tugging at his shirt seductively

The Final Day of the 7-Day Poem Challenge: “The Match”

Welcome back!

It’s here—the final day of my 7-Day Poem Challenge. This time, I went big. Today’s piece is a narrative poem called “The Match,” and since it’s on the long side, I’ll get right to it.

I hope you enjoy…

Woman lying on top of man tugging at his shirt seductively

Aleksey Mnogosmyslov ©123RF.com

THE MATCH
by
Jade A. Waters

“There’s something about the sweat of a woman,” he says.
I’m not sure what to think.
I mean, I’m standing here
Naked
The steam so suffocating I’m remembering
How hard it can be to breathe through my once-broken nose.
Beads of sweat—
No,
Rivulets of sweat
Curl down my sides,
Curving under my breasts
Racing down the hard lines of my abs
Slowing when they hit the subtle rise of trimmed curls
He exposed
When he yanked my boy shorts down to my ankles just a minute ago.

“You think I’m kidding?”
“I don’t—”
I bite my lip.
That’s just it.
I don’t.
Then again, it’s hard to think with him breathing in my ear
No,
Panting.
His exhalations are still a little wild from
Our match not ten minutes before,
And when he licks the smooth line of my neck
I arch back in protest.
I always fight—
But just a little.

Danny grabs onto my hips.
The move is so sudden I jerk,
My breasts smashing against the punching bag.
(See, he didn’t leave me much leeway when he cuffed me
To the chains that hold this thing in place—
And I’d tell you I mind,
But I don’t.)
He digs his fingers into jutting bones,
Rubs his cock against my firm ass
Catches the lobe of my ear between his teeth
And groans when I squirm
Like I wanna fight.
Danny responds by slipping his fingers down,
Pinching my clit,
Sliding that cock right where he needs to be—
Where I need him to be—
And then he gasps again,
As if he’s surprised to find me so wet.

Every time we spar
I get like this.
I’ve been training far longer than him
So he doesn’t mind me pinning him on the mat
Straddling him with my aching thighs
Grinding my pussy against him
And shoving my elbow into his chest
When I whisper,
“I win. Again.”
He leisurely smiles.
I think that’s because the moment it’s over—
My victory, done—
I surrender.
I’ll let Danny take my wrists
Tie them somewhere
Anywhere, really
Like now, cuffed up to this heavy bag
That smells like my sweat and plastic.

“Well?” he asks.
“Well, what?”
The head of his cock is just inside the rim of my cunt
And he’s teasing me
Taunting me
Spurring me on even more
Than the fans chanting outside the ring during my matches.
Danny knows how much this gets me
So he thrusts slowly
Making me moan.
Fuck me.
He feels so good
That when he sinks deeper
I don’t even care that my mouth
Is on the bag
That my cries
Are falling from my lips louder than the bell
That signals my wins.

“Like that?” he says.
That is all guttural moan and a puff of air,
And to remind me how much I want it
He pumps again. Then once more.
“Fuck, yes, Danny.”
“Yeah? You surrender?”
“Yes!”
He drives in so deep
All I can think
Is that I’m sweaty
That he’s sweaty
That holy fuck
He feels so good.
He wraps his arms around the bag and me both
Closing me between two things I love
Biting at the side of my chin
As he fucks me
Hard
Fast
And sweaty like we like it.

It doesn’t take long
Of course—
Me cuffed up to that bag
Danny all the way inside me
The smell of sweat and lust
And so many fights
On the training mat
Surrounding us as we go
For this one more match
Before our shower.

But this time
We both win.

*

And there you have it! Seven straight days of poetry. To be honest, I had a ton of fun. I hope you did, too!

To celebrate this week of poetry, I’m launching a brand new page on my site! Please check it out right here—you’ll find all the poems I’ve written so far, completely free and in one place. I plan to add to it as I write more poems in time. 🙂

As for now…thank you so much for joining me on this erotic poetry adventure!

XX,
Jade