Sepia lowlight image of woman faced away, wearing garter belt.

Flash Fiction: “A Taste”

She’s been waiting her whole life for him, she thinks, and she raises the coffee to her lips.

They’ve been eyeing one another across this diner for the better part of an hour, all while he’s pretended to read his paper and eat his late night bacon and eggs, and she’s forgotten to finish the soup that grew cold not long after she ordered it. She’s been distracted by the rules skipping through her head—don’t stare too much, cross your legs like a lady, don’t forget to eat with your mouth closed—but with the gazes they keep casting back and forth, she doesn’t think these things are really all that important anymore.

Anna pays her check and rises from her booth. She imagines she’ll be the first to leave. That he’ll follow her outside, giving her a moment to reflect on whether he’s stalking her, and if she’s supposed to run. Or if instead she should give away everything she’s actually feeling—the unsteady ticking of her heart inside the safe housing of her chest, the unusual race of her once regulated breathing, or, more than that, the heat that’s slickened at the peak of her thighs, making all this thought a perilous landscape of impossible, inexplicable desire.

But the man is the first to leave. He walks right by her, deliberately meeting her gaze. The brush of his hand on hers cannot be a coincidence, nor the look in his heavy-lidded eyes. And so it’s Anna who follows him outside, Anna who walks in measured steps behind him, Anna who glances up at the stars, just once, reminding herself how small she is in this world as he turns the corner and she’s left to decide one way or another.

Don’t talk to strangers, her mama said.Sepia lowlight image of woman faced away, wearing garter belt.

But mama’s been dead a long time now.

Anna finds him leaning against the backside of the building, staring beyond the edge of the bluff at the water below, where the waves ebb and flow like the surge in her veins. In her head, as she comes to face him, she anticipates the things he might ask of her. What’s your name? Why have you followed me? What are you looking for tonight?

He asks none of this. What he does is take her wrist and pull her to him, so that her breasts are flush with his chest and he’s breathing down over her face. She believes he’s asking for her approval, which she gives in the one kiss they will share—their lips merging, opening, exchanging the bitter trace of coffee, the hint of greasy bacon, and the sweet, sweet taste of spit. His hands are on her ass, molding her flesh, squeezing her closer. She welcomes this, then the way he swings her round to face the building, sliding behind her so his entire body lines her back. Anna gasps when his fingers slip under her skirt, because now he knows just how anxious she’s been for this. For him. Never show a man how much you care she remembers, but his fingers are in her, riding up and hot in the wet desire she doesn’t know how to hide. His teeth find her neck as he wedges her tight to the wall, and Anna’s open mouth grazes the fading building finish. She tongues the wood as he unfastens his pants, then the salty air that kisses her lips and makes her feel alive when he presses his cock to her ass.

“Okay?”

This is the murmur she’ll remember him by, a quiet, desperate groan that elicits the wild bob of her head. We don’t take risks. Good girls don’t take risks she’d been told, but as he drives inside she wants nothing more than to risk it all, again and again. Every thrust of his cock brings another moan, another moment, another physical expression she held buried so far inside. She spreads her fingers on the building and arches her back, letting him sink deeper, closing her eyes while the waves sing behind them and he moves faster inside her. He bites her neck again, surely tasting the glisten of sweat that’s broken out along her chin. Her body shakes when he slides a finger in her mouth and she closes her lips around it, the taste of her cunt on his skin. She’s only partially surprised she comes before he does, her whimpers preceding the muffled grunts he makes into her hair. He fills her with the honest, heated greeting of a perfect stranger.

For a minute, they stand like this, Anna smashed between his body and the building. His come is seeping out around his slowly softening shaft, dripping onto the panties barely pushed aside before he marked her as who she really is. Who she’s wanted to be.

The man places a kiss on the edge of Anna’s mouth. It’s tender and indifferent all at once, but she understands the intention behind it, what he’s learned, too. Thank you.

She is still standing against the wall after he tucks himself away, pausing like he’s supposed to, waiting to see if she wants to say something, or if there’s anything else she needs. But there isn’t.

When he’s gone, Anna spins around, her back to the building as the chaos of her belly becomes a soothing warmth that brings a smile to her face.

She’s never taken a risk before.

And she’s been waiting her whole life for this one.

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Black and White Art Photo of Woman's Hips

“Open” — a Poem, in Audio

I think it’s safe to say all writers love words. We love the shape of them, the feel of them, the way they play together on the page. But while most writing is meant to be read in quiet, there are occasions when it’s the sound of the words that really counts.Black and White Art Photo of Woman's Hips

I make no secret in my bio that I once read synonyms to a lover as foreplay. In that moment I enjoyed not writing the words, but dancing them off my tongue, letting them resonate and seduce in just the right way. And though I’ve read a few stories aloud before, those pieces weren’t written with that intention in mind. Which is why today, I’m trying something different.

I wrote “Open” about seven years ago as a poem to be read aloud. On the page, it reads to me as a series of staccato lines and words—whereas in my head these phrases are better played with in tone, volume, and voice. So with that in mind, I’ve opted not to just post this old poem, but to read it to you, too. It’s quite short, but I’ve read it as I imagined it when I wrote it—not as a string of words, but instead as sounds meant for a lover’s ear.

I hope you enjoy it.

XX,
Jade

OPEN

    by

Jade A. Waters

Come
Inside
Fill me
Take me
Your love
Within
Divine
I ache
I pine
The heat
Engulfs
And burns
Throughout
I feel
You throb
I move
On you
With you
To you
A beat
A pulse
That stirs
That moves
Us on
As one
Together
Push
And rub
We glide
You slide
Deep
In me
You are
You live
I breathe
To feel
This
You
In me
With me
Press on
Once more
And then…

 …Come again.

Picture of panties around red shoes

Elust #69 – Erotica and More!

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Photo courtesy of Sex Is My New Hobby

Welcome to Elust #69

The only place where the smartest and hottest sex bloggers are featured under one roof every month. Whether you’re looking for sex journalism, erotic writing, relationship advice or kinky discussions it’ll be here at Elust. Want to be included in Elust #70? Start with the rules, come back May 1st to submit something and subscribe to the RSS feed for updates!

 

~ This Month’s Top Three Posts ~

Bully for you
Watching Me
Red in Tooth and Claw

~ Featured Post (Molly’s Picks) ~

He’s Got Her
Subject/Object/My Desire

~ Readers Choice from Sexbytes ~

*You really should consider adding your popular posts here too*

Waiting with Snowdrops

All blogs that have a submission in this edition must re-post this digest from tip-to-toe on their blogs within 7

days. Re-posting the photo is optional and the use of the “read more…” tag is allowable after this point. Thank you, and enjoy!

 

Erotic Non-Fiction

Nothing Really Matters
Njoying Myself
He’s beautiful
Humiliation of an ex-Nazi submissive 39
His Beauty Shatters Me
Vacation Got Off To A Slow Start
After Party On My Own
dénouement
My Life Erotic: “The Bad Man”

Thoughts & Advice on Sex & Relationships

Questions We’re Actually Embarrassed to Ask
Distance
Ignorance & Misconception – Scary Combination

Poetry

Laced Up – a Lusty Limerick

Erotic Fiction

Our First Time
The EuphOff
the auction
the conductor
Habla con ella

Writing About Writing

My Filthasaurus

Thoughts & Advice on Kink & Fetish

On Corsets
Consent: A play in one act
Playing hate: topping in a degradation scene
Corsets and Kink
What I Love About Pinching

Sex News, Opinion, Interviews, Politics & Humor

Dancing vs. Sex
Volunteers Needed!
Jewelry N’ Kegels

Blogging

1000 Fucking Blog Post

 

 

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Dark toned image of woman sitting with one leg crossed over another

You Got Turned Out

Well over a year ago, a close friend used a term that struck me as profound—so much so it’s been simmering in the back of my head ever since. The truth is that it was said in reference to a relationship I’d experienced, but eventually, I realized how wide the scope of it was, and how very much I needed to write about it.

See, at the time of our conversation, I was wrapping up one of the most painful breakups of my life. I’ve had many relationships in two decades—some of them waking me in one way or another, others serious enough we nearly ended up engaged, and still others breaking me in ways that required many years of lightness to heal—but this was different. It was heavier somehow, more real, more intense. If I were to describe my past relationships as watercolor paintings, this one was made of oil—dense with color, small details, and texture, and labored over not just with brushes, but with rags and carving tools that molded the canvas of us. It started as a casual fling that should have meant practically nothing, but in the mere nine months we lasted—including four breakups, three standoffs, and two attempted months of silence—the impact still coursed through my blood and transformed me.

So on the night we chatted, this friend of mine listened while I cried to him for probably the third or fourth time, dragging myself in circles over this new kind of hurt, and this strange feeling of having had my heart and soul wrenched open in ways I couldn’t understand. And in the midst of it, he said, very sweetly, “Honey, don’t you see? You got turned out.”Dark toned image of woman sitting with one leg crossed over another

This friend has long been special to me for a variety of reasons, but his frankness—paired with his somewhat uncanny understanding of women—has always captivated me. Having never heard the term, I sniffled a few times and asked what the hell he was talking about. I’ll take the liberty of paraphrasing his response, but the basic concept is this: getting “turned out” means someone has fully broken through to you—turned you upside down, cracked you open, and unraveled you completely. Sure, you may have had sex and love before—hell, you could have had endless sex and love, and believed you’d felt the magic—but this experience is not common, and when it happens, you know. It’s more powerful than any love or good fuck or orgasm you’ve had before; it’s like you’ve found that person who can sink right into your soul, delve into your pores, and bring you out into the world as an entirely altered, more phenomenal version of you.

When he said this, it clicked. I’d known love, lust, empathy, closeness, hurt, passion, and all of the feelings that connect us with one another—but this thing, even as short as it was, had me lost in an emotional and sexual haze all the way through and well after it ended. Truth be told, it’s one of the most complicated things I’ve ever experienced, so uplifting and murky and amazing and excruciatingly painful, charging me even beyond the time it took to heal. This is why I strongly believe the last part of what my friend said in that phone call, too—that this type of experience will inevitably end in one of two ways: ideally, you and the person seize the magic and end up together for life, exploring this brilliance discovered together; or, you and the person call it quits, she who got turned out is hurt for a long, long time, and then—once all the pain dissipates and she can see straight again—she’s essentially reborn with so much more sense, emotional power, and feeling than she’d ever dreamed of before.

A phoenix rising from the ash, if you will.

That’s a big concept to pin on a relationship, I know, but I’d venture to guess a few of you know exactly what I’m talking about. Maybe while you’re reading this, your hearts are thumping in your chests, your heads lifting and falling as you whistle to yourselves because you remember what this felt like. It’s that feeling of putting your heart, your love, your soul, your very essence in someone else’s grasp like you could never have fathomed before—and still being unbelievably okay with it.

Sometimes, it works out. Sometimes, it doesn’t. But no matter what, you will never be who you were before.

So, that’s what’s been churning in my head for a while now, seeping into my work, my stories. I don’t mean to do it, and then suddenly I do. The first time I saw it was in the last book I wrote—I’d drafted it early last year and then came back a month later to edit, following my character through her adventure in love and sex while I made my scribbles on the page…and then WHAM. I actually saw it in her character arc, and said it out loud:

“Oh, look at you. You got turned out, baby girl.”

I thought it was just a one-time thing. Then the feelings kept resurfacing in other stories I wrote, essays I penned, and poems I posted, without me ever intending it. It was like in finding myself, my characters had to, as well. Even in the book I’m editing now, I saw it happening all over again—the protagonist shedding her old skin, embracing this new life and awareness she finds with the one who broke through to who she honestly was. It wasn’t that she wasn’t whole or happy before—only that, in a way, she had to set fire to who she was to leap into this vivid new self. In doing so, she’s become richer, more powerful, and eager for every sensation and experience yet to be had.

She’s been turned out.

Sometimes, I wonder if the intersection of my own experience happening shortly after I sent my first erotica story into the world was a coincidence, or if it was the Universe trying to give me a message. That in embracing my writing, I’d opened up a personal door. Or that in releasing the erotica I’d kept quiet for years, I was finally able to bare my heart and soul, even if it was going to hurt like hell. Or that, since I was going to explore so many things in real life, I would need to feed it all into my stories over time.

Honestly, I don’t know the answer to the how or why—and like the phoenix, I don’t think the past matters anymore.

When you get turned out, the only thing you need to do is soar on.

XX,
Jade

“Toys” Joins Molly’s Storytime KissCast!

Hello everyone! I’m very excited today for a couple of reasons—namely, the lovely Molly Moore of Molly’s Daily Kiss, and my little ole story, “Toys.”

You may recall that the ever-sweet and charming Molly interviewed me a while back on her new KissCast podcast. The episodes she’s put out since have been so delightful—I’m enjoying getting to learn about a bunch of erotica authors and bloggers, and of course listening to Molly chat with them in her fabulous style. But a little after we had our super fun episode, she asked if I might want to narrate one of my stories as part of a podcast devoted entirely to authors reading their words.

Um, HELL YES.KissCastLips

Well, good news—the episode is out now! I’m so proud to be reading alongside the amazing authors BD Swain, Malin James, and Malfic. And though “Toys” made its debut in Best Women’s Erotica 2014, I’m thrilled to get to share it with you in its entirety here—in your ears! A giant thank you to Molly for including me in this fantastic Storytime episode!

So, please click right here to give the Storytime podcast a listen. I hope you enjoy not only “Toys,” but the whole episode of smokin’ pieces from a wonderful crew.

Thank you for listening!

XX,
Jade

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Jade Aurora Waters

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