Rachel Kramer Bussel is Over to Visit!

Hi everyone! Today is a special day—it’s the release day for Best Women’s Erotica of the Year, Volume 2…a fantastic anthology edited by Rachel Kramer Bussel! I have been fortunate to work with Rachel on a number of occasions, which is why I couldn’t be happier to have her over for an exclusive interview today. Yes!

Since I’ve long admired Rachel’s work in both editing and writing, I had a lot of fun picking her brain on the Best Women’s Erotica of the Year series and much, much more. The anthology itself is bound to be another hit, so you’ll definitely want to grab your copy on Amazon in either print or ebook form. You can also find out more about it on the Best Women’s Erotica of the Year site. And, bonus, we’ll be doing a reading to celebrate its release on January 31, 2017 at Skylight Books in L.A. I’ll be reading an excerpt from my story in BWE Volume 1 alongside some wonderful authors with stories in Volume 2—you won’t want to miss that, so be sure to check out the events page and mark your calendars!

For now, I hope you enjoy all the details I got from Rachel about her work, her books, and her style. I know I did!

Welcome Rachel! I’m so excited to have you here today, and to get to ask you a bunch of questions about your work. Thank you for joining me! I hope it’s okay—I’m going to dive right in with my first question…

What would you say is the main thing you look for when selecting stories for an anthology?

Variety. I consider each story individually and gravitate toward the ones that grab me, the ones that are different from others I’ve read, that I think my readers will like, and then I make sure they all work together to create a diverse, varied whole. Something I tell my erotica writing students is that I want to know why the people in the story are having sex, and why now. I want to feel that immediacy and urgency in every story. I never want to feel like the characters are just going through the motions; I want to get to know them, not just their sexual desires, but them as people and how their history informs their sexuality.

So it’s tough to point to any one aspect, but I like having a mix of settings, eras, writing styles and of course a wide range of characters when it comes to sexuality, sexual orientation, race, age, country of origin, location (I appreciate stories that aren’t all set in big cities, and where the action doesn’t always take place in a bedroom) etc. I also look for different points of views and tenses, because I think that makes for a more pleasant reading experience. So that’s a lot to balance and not something I can always control for as an editor, but I try my best. I’m planning a slight twist for the call for submissions for Volume 4, which I’ll be posting in 2017, which will have some sub-themes that I think could make for really interesting plotlines.

Ooh, that’s interesting. I can’t wait to hear more on that! Speaking of…now that you are editor of the Best Women’s Erotica of the Year series, what would you say is different about working on this series than other anthologies? How?

Knowing that I have several volumes behind me and right now two more ahead of me (Volumes 3 and 4) is a wonderful gift, because I know that each time I have the opportunity to reach more readers and more writers from around the world. Picking up a series that’s been edited incredibly well by two previous editors is a challenge but one I am honored to get to play a role in. I try to build a sense of community among all the BWE authors and also try to keep the books different so that readers who enjoyed one will also enjoy the others and never be bored. In general, I try to push myself with each anthology I edit to find new ways of reaching audiences and seeking out new writers, and I’ve been doing my best to do that with this series. I hope to publish work by authors from countries that haven’t previously been represented going forward. Otherwise, as an editor I often have to simply wait and see what kinds of stories arrive in my inbox and that helps dictate what kind of tone each anthology will have. I also can incorporate feedback from readers into how I shape and craft future volumes, which I can’t do with one-off anthologies.

You know, I love reading your stories in the anthologies you’ve curated. Do you usually write your piece at the time of posting the call, or after you see the selection of stories you have for the anthology?

In the past, I’ve done it both ways. Sometimes if I found I didn’t get a certain type of element, I would try to fill it in. Or in the case of Come Again: Sex Toy Erotica, where I wanted each story’s sex toy to be different, I wrote about a set of metal claws, since they have always fascinated me and nobody else had covered it. One thing I’ve changed with the Best Women’s Erotica of the Year series I’m editing is in order to make room for more authors’ voices, I’ve kept each book limited to those who weren’t published in the previous BWE of the Year books, which includes me, so Best Women’s Erotica of the Year, Volume 2 is the first anthology I’ve edited that doesn’t include my own fiction. I think that’s fitting and am very proud to be moving into more of a curatorial role. Any plotlines and scenarios I had wanted to include in a given volume but didn’t get to due to space or lack of story submissions, I try to make up for in the next volume.

That’s a clever approach. What is your favorite step or part of being an editor? Why?

For me the best part of being an editor is getting to work with hundreds of authors from around the world, all of whom are writing the kinds of pieces I could sit in front of my computer for thousands of hours and never come up with. I especially publishing writing by authors who are new to the genre because that’s where I was not that long ago and an editor taking a chance on my work was such a wonderful opportunity and I’m thrilled to be able to pay that forward.

And what about the hardest part?

Sending rejections. When I finally quit editing anthologies, it will be a huge relief to no longer have to send rejection letters, which, even though they are part of the job, always make me feel like a horrible monstrous person. I know I’m not and I know by the numbers, there simply isn’t any way to include all the stories that are submitted to any given anthology even if I loved each and every one, but it still is an awful feeling because I know everyone worked diligently on their stories. I’m heartened though by the fact that a writer who believes in their work will take a rejection as an opportunity to find another home for their words and so far I’ve been lucky enough to always have a new anthology to edit. I try to point to a new call for submissions of mine when I do send rejections to encourage authors to keep submitting.

That’s fair. And authors should keep submitting, too—rejection is just part of the deal. I’m curious about another thing I imagine is an editor woe: what is your least favorite grammatical error (or the most annoying one to you) to catch and/or fix in stories? Has this changed for you over time, aka are there grammatical things that have stopped “bugging” you over the years? 

Probably the most challenging to fix is when the tense changes throughout the story. I’ve done it so I know how annoying it is to redo, and I also know that sometimes an author can see a story existing in multiple tenses, and eventually you just have to pick one.

Eek. I’ve done that myself in the past! Okay, another question—what is your most favorite story that you’ve put in an anthology, of all time? (Or, if you’d rather not specify a story, how about a theme or subject that came up in an anthology?)

It’s hard to say because I have so many to choose from but I especially love stories that surprise me. One story I have read at numerous readings and truly adore for its ingenuity is “Remote Control” by Logan Zachary from The Big Book of Orgasms. It’s the perfect combination of sexy and funny and makes any reader wonder just what they would do if they were handed the title object. That’s a lot to do in less than 1,200 words but he somehow did it. You can listen to it on The Kiss Me Quick’s Podcast, read by Rose Caraway, who narrated the audiobook. I also have a soft spot for “Daddy’s Girl” by Teresa Noelle Roberts in Spanked: Red-Cheeked Erotica. It’s such a vivid and hot story about role-playing, and what I especially love is that it makes it perfectly clear that they are indeed engaging in beloved roles that turn them on. She manages to mix the fantasy and reality elements of the story so it doesn’t lose any of its hotness but makes that delineation clear. I’d love to publish more edgy stories like that in my anthologies.

One of the things I’ve long admired about you is your desire to include as many new authors as possible in your anthologies. (Heck, this is how my first published piece, “The Flogger,” happened in The Big Book of Orgasms, and I can’t say thank you enough!) What is something you’re looking for in a new author for future anthologies?

Mainly I’m just looking for fresh ideas or new insights into sexual desire, passion, love and lust, and how those all fit in with the rest of our lives and what’s going on in the world. There really isn’t any one specific thing, though I am always pleased when authors approach a subject, even if it’s one that’s been written about plenty, and finds a way to make it feel as if it’s brand new. I’m often far more interested in the psychological twists and turns sex can take than a recitation of the physical machinations of sex, so that’s something I’m always interested in. Beyond that, I just look for pieces I think my readers will marvel over and want to reread again and again.

That’s a good plan. Now, when you’re writing, do you find that your editor side kicks in and causes you to edit while you draft? Or, are you able to separate your two roles and write freely before you edit?

Usually if my editor side kicks in when I’m writing, it’s a sign that I’m approaching a given piece incorrectly. I do my best to let go and simply write until I feel I’m at a natural stopping point, and then go back and edit later.

Smart. Okay, here’s an off the cuff one: you are given the choice of editing or writing, for the rest of your life. Only one. Which do you choose? Why?

I’d have to say writer because I started writing (outside of erotica) far before I ever considered being an editor. But I would certainly miss the joy of working with other writers if I couldn’t do it anymore.

We would miss that, too! I wonder…some writers revisit themes, or particular scenes that keep coming back in their work. Do you have such a repeated element in yours (that you recognize)?

I’m probably the opposite in that the part of writing I like the most is creating a new piece, whether that’s fiction or non-fiction.

So then, would you ever write a sequel to one of your stories, and if so, which one? Why would you like to bring it back?

I’ve long wanted to write a sequel to my oral sex restaurant story “Secret Service” from Best Women’s Erotica 2010 edited by Violet Blue, looking at the fellatio equivalent to my cunnilingus restaurant. I think it would be a fun twist on a story that already took its origin from a real-life Brooklyn restaurant that sold cocaine in the back.

Sexy. I am looking forward to this sequel! But let’s say you weren’t in the word industry. What would your next career be?

Maybe a bingo caller, because I love playing bingo, but I’m not sure if that would ruin the fun for me.

I like it. That’s fun. 🙂 Which leads to a fun last question…you can go anywhere, free of charge, for as long as you want. What would be the most romantic and/or dream place for you to write?

I love hotels, so probably any really luxurious hotel where I could get anything I needed at the press of a button.

Fabulous. Thank you so much for being here, Rachel!

And there you have it! A peek inside the brilliant mind of Rachel Kramer Bussel. Don’t forget to pick up your copy of Best Women’s Erotica of the Year, Volume 2 on Amazon, and we hope to see you at the reading on January 31st!

A giant thank you to Rachel for joining me today!

The Marriage of Music and Story – With a Special Guest!

Hi everyone! I’m delighted to be hosting the lovely Delilah Night today, whose newest novella, Capturing the Momentis now available with Totally Bound. And, I’m honored not only to be featuring an excerpt of Delilah’s words—but to be hosting a contest. That’s right…I said contest!

Before it’s time to play, please read on to find out some of Delilah’s inspiration involving the merging of music and story. It’s good stuff!

Take it away, Delilah!

The Marriage of Music and Story

Thank you for the opportunity, Jade. I’ve really enjoyed getting to know you over the past year, and I’m eagerly awaiting your novel! I hope you and your readers enjoy this look at the making of my novella, Capturing the Moment. Please stick around for the giveaway!

***

Music was one of my earliest loves. I remember the excitement of buying Madonna’s True Blue on cassette at the age of seven in 1986. I’d sing True Blue, Where’s the Party, La Isla Bonita and the rest as I swung back and forth on the swings in my local park. Thirty years later, I still know all the words to every song on that tape.

I joined my school’s chorus in sixth grade, and despite switching schools a number of times, music was the constant in my life. When I started a new school, my first (sometimes only) friends were ones I made in chorus, band, show choir, acapella chorus, or pep band.

Music is such a constant that I almost always write with my earbuds in. Sometimes I have specialized playlists for stories, but for the most part, I shuffle through music from every genre.

Capturing the Moment began with a moment—Meg turning to see that RJ has showed up, unwanted, at the ancient temple of Angkor Wat in Cambodia, and anger flooding her body. Why? What was their history?

I was fumbling my way through variations on the opening chapters of the story when the song Teardrops on My Guitar by Taylor Swift began to play.

Teardrops on my guitar pic

That lyric unlocked the story for me.

The story became so much easier to write after that (at least the first draft). I wrote the story of what happens after that moment in Cambodia. As I did, I also wrote the story of what had happened in the years before. I learned that Meg and RJ had been engaged, but that the engagement had been called off, and realized that they’d have to deal with their past if they were to have a chance at a future. However, my realization didn’t mean that my characters wanted to deal with their past.

Angkor Wat with Monks

Exclusive Excerpt

(Context—RJ has asked Meg to spend the day with him. She’s always been susceptible to his dimples.)

Meg took several deep breaths. “Ground rules.”

“Do tell.”

“Rule Number One is no sex.”

He smirked. “You’re awfully obsessed by the idea of having sex with me, Megan.”

Her clit swelled in response.

You have no idea.

“No sex,” she repeated.

“I’ll cry manly tears into my pillow tonight, but fine. No sex.” He held up his hands in a gesture of surrender. They were big, beautiful hands graced with dexterous fingers. Twelve years of piano lessons had given RJ magic hands. Meg remembered, vividly, what they felt like on her body.

“Secondly, I don’t want to talk about the break-up. This is about not ruining my one day in Siem Reap. Not ‘Let’s talk about our feelings.’”

“At least let me apolo—”

She turned to walk away, but he grabbed her arm.

“You win. I won’t bring it up,” he said, obviously frustrated.

“Third, you carry everything. I might as well get a free pack mule out of this.”

“Sure.” He picked up her equipment and she could read the relief on his face.

“Finally, Rule Number Four is that we follow my agenda. No hijacking my game plan.”

“I’ve been here a few days already. I can indulge you”—his eyes took a long, lingering inventory of her body—“in any manner you see fit.”

capturingthemoment_800

You never forget your first love…

Meg and RJ were passionately in love. But that was six years and a broken engagement ago.

Meg has only one day in Siem Reap, Cambodia, before she must leave for her sister’s wedding in Bali. She fulfills her dream of taking a photograph of the sun rising behind Angkor Wat, one of the oldest temples in the world. But her joy is short-lived when she turns around to see RJ standing behind her.

RJ threw himself into work after Meg ended their relationship. He’s built a successful business, but it’s a hollow victory. He’s come to Siem Reap to win back the woman he’s never stopped loving. But first he has to convince her to spend the day with him.

Meg is as physically attracted to RJ as she ever was. Maybe the secret to finally getting over him is a one day only, no strings attached fling.

Can RJ win Meg back, or will she love him and leave him?

Capturing the Moment is now on sale exclusively at Totally Bound through April 26

Also available for Pre-Order at:
About Delilah Night…

After 30 years of snowy New England winters, Delilah Night moved to steamy southeast Asia. While she doesn’t miss shovelling snow, she does miss shopping for bargains at Target.

In 2014, Delilah visited Cambodia for the first time and fell in love with Siem Reap. Many of her misadventures from that vacation (including the one with the monkey) made their way into this story.

Connect with Delilah on her blog (delilahnight.com), Twitter, or Facebook.

Contest—Win a free copy of Capturing the Moment!

What song has spoken to you when writing a story? Leave a comment and I’ll pick a winner at random on Wednesday, April 13, 2016. Don’t forget to leave your email so I can contact you.

 

Cover of Holding My Breath

Peek Into the Mind of a Casanova—Quinn from Holding My Breath is Here!

It’s official—all the hot people come to my site.

How do I know? Because today I have a very special guest—and he’s sexy. Plus, he’s a good speaker. He dresses well. He’s clever. And…well, he’s all sorts of things, really, but what you need to know is that many, many women pay good money for the pleasure of his company.

Here’s a brief introduction:HMBbanner04

Uh-huh. That’s right—I’d like you to meet Quinn! This professional Casanova thrives in A.M. Hartnett’s most recent book, Holding My Breath, and today I asked if I might be able to book some time with Quinn (free of charge) to ask him a few questions.

Lucky you, he said yes. And as if his answers weren’t delightful enough, I’ve also got a sexy blurb and excerpt for you. So, please read on and enjoy your introduction to the super sexy Quinn…

Hello Quinn. I’m so glad you joined me. And I have to say, um, wow. You have a definitive look, and it’s smokin’. How did you create your “style”?

Simple and classic is what I’m going for. For all the trends that have come and gone, women still get wet when they see a man in a well-cut suit. They like playing with the cufflinks and the lapels, and they like watching it come apart a piece at a time — the tie comes loose and the top button undone, the jacket slung on the back of a chair and the shirt-sleeves rolled up. A woman loves seeing a $3000 suit tossed aside for fucking as much as a man likes to see a $3000 dress on the floor next to the bed.

Good point. Speaking of things to see…women love scars, and your knuckles have certainly been marked. Care to share more about that set of scars?

Would you believe I used to be trailer trash? Up until I turned 18, I was a nasty little shit. I used my fists to get what I wanted, and once I had it I used my fists to keep it. It landed me in hot water and I was forced to learn that I couldn’t always have what I want, when I wanted it. It helps now that I have the money. Anyway, I’ve learned that the scars are a nice addition to the total package. They show that I’m not just pretending to be a bad boy, that at some point in my life I was a bad boy.

Let’s be real—women are hiring you, but when they see you, they melt. How does that feel for you?

Honestly, why would I want to be someone’s dildo? There’s more money in selling the entire fantasy. I can be anything a woman wants. All she has to do is pay her money up front.

Oh, Quinn. So matter-of-fact. I love that about you. But…tell us about the first time you saw Molly. What was your instant reaction to her?

It wasn’t like a kick in the gut or love at first sight. I was sitting in the bar at the hotel when I saw an attractive woman pass by. I paid her a bit of attention, then went on with my business. The next time I saw her, the same. So on and so forth. She’s a knock-out and I wanted to fuck her. That’s it.

What about when you discovered Molly had “hired” you to kick you out of the hotel? What did you think upon entering the room?

It took me a few minutes to figure out where I knew her from, so when I entered the room I figured I was just meeting another client. Normally I meet them in the bar, but she rejected this, so on first sight I figured this was a married woman who didn’t want to be seen out with another man. Then I realized it was the front desk manager I’d been eyeballing. My first reaction after that was mixed. I was equal parts “oh goody, now I get to play with that” and “oh fuck, she’s about to tell me to piss off.”

That meeting was so good. So good… As was the first time you give Molly your name. It’s…well, people will have to read it, but let’s just say that moment is pretty damn hot. You totally got off on playing that power card, didn’t you? And that’s a lot of Molly’s attraction to you—what comes out of your mouth. Were you born this clever and sexy, or what?

My grandfather, who was one of those people who only spoke when it was necessary, mostly raised me. When he spoke there was a sort of music to it. He had a deep voice and a thick Newfoundland accent. Listening to him was like listening to Shakespeare, if that makes sense. I think I developed what’s been called a “silver tongue” from him, but I talk a lot more. I never shut up, probably because in Pa’s house I was the only one doing the talking most of the time. I like to talk.

And I like dirty talk, obviously. With Molly, it was more of a case of talking to tangle her up a little so I could do the unravelling. When I finally gave her my name — and as you’ve mentioned, I made a little production of it — was the beginning of me loosening the knots I’d made.

*Leans forward.* You say you’re able to “unlock” a woman. Tell us more about that. When did you first discover you had this ability? How did you hone it?

In another time I might have been the perfect scam artist. I can read people. I’m really good at reading people. I can use silence to work out what they want, and then fill in the holes by talking around them. I pay attention. I test out different tones. I throw out little nibbles, one at a time, until the women I’m with has had her fill. It’s different with every woman — Molly, for instance, will gorge herself on what I dish out and it’ll sometimes get away from me.

What is it about Molly that’s different from your normal clients and that’s drawing you in? You almost seem bewildered by how much you instantly like her—almost. What about her is drawing such a reaction out of you?

I’ll admit it, Molly had me twisted around her little finger the second she opened her mouth. She tells me she was a little nerved up when I walked in, but I didn’t get any of that. She played my game right from the start but kept up with me. She wasn’t taking any crap, that much was clear from the start, but there was a calm and softness about her that had quite the effect on me. I just wanted to sit back and negotiate with her. I remember thinking that this was a little like foreplay.

That’s another thing I liked about Molly. She didn’t look down at me. It would have been easy to just have security have a word with me but she treated me with respect, and when I made my case about sticking around until New Year, she listened.

And what was your reaction when Molly called you up to a hotel room—for the second time?

Another confession — I was worried she wouldn’t, so I blew out a sigh of relief when I got that text. I don’t become infatuated that often, but I couldn’t get her out of my head for the rest of the evening. The next day, thinking about meeting her again, I could barely concentrate. She made me ticklish.

Aww. All right, so you are threatening to quit your gig at 36. Why 36? Why not 40? What’s special about 18 years?

I started doing this when I was eighteen, so basically I had been doing this half my life. That seems long enough, don’t you think?

Fair enough. Say, if you could go back to 18-year-old you, what would you tell him?

I don’t think I’d tell him anything. It might knock some sense into his head and change things. Up until recently, I could make a list a mile long of things I’d change about the last eighteen years, but now I think I’m good. It took me longer than most to get where I need to be and I needed all the highs and the lows.

And good you are, Quinn. Thank you so much for joining us.

*

There you have it, everyone! Quinn is a delight of a man in this dirty new book from A.M. Hartnett. Holding My Breath is available on Amazon right now, and you can find out more in the blurb and excerpt below!

Read the blurb:

“It’s a skill not every man possesses, and it can’t be taught. That’s why I’m good at what I do.”

For half his life Quinn has been making his living as a professional Casanova. Challenged by Molly to take his business elsewhere, he strikes a bargain with her: give him until New Year’s Eve and she’ll never see him again, and in the meantime he’ll make it worth her while.

As their arrangement becomes a passionate affair, there’s no denying that Molly’s been waiting for him to come into her life for a very long time. She never imagined that a man like Quinn would be the one.

Cover of Holding My Breath

Read an excerpt: 

Her phone rang just before noon, as she was pushing through the back door with her arms loaded with groceries.

It was Quinn. She knew it by the ringtone she had set a few days earlier: The Tragically Hip’s ‘Fireworks’. The lively tune was muffled in the pocket of her anorak, but she could hear the words in her head. He’d cooked her dinner one night, and when she told him she’d never heard the song he put it on repeat and told her about how he’d once dragged himself, barely lucid with the flu, to their concert when he was in his early twenties.

Not caring about whether she cracked her eggs or squashed her bread, Molly tossed the black fabric bags onto the counter and dug into her pocket for the phone.

‘Hey there,’ she answered.

‘It’s Saturday, isn’t it?’

‘A question like that just goes to show you’re not a man who works the nine-to-five, otherwise you’d know it in your bones that it was Saturday.’

‘Words cannot express how horny I was when I woke up a little while ago. I’m sitting here in my empty apartment with my hard-on in my hand thinking about how much better I’d feel if it was in your mouth.’

Molly shivered as she unzipped her coat. ‘And this call is to ask for assistance with this problem?’

A low laugh tickled in her ear. ‘I know exactly what you’re doing right now. You’re biting your lip and squeezing your legs together.’

‘Oh, you think you’re so smart,’ she replied, but he was right. Even over the phone he made her feel as though he was right behind her, lips close to her ear, what little space between them electric.

She was sure that if he were there with her, he’d already be undressing her. It made her wet just thinking about it.

‘I want you to drop what you’re doing and meet me in the park. I want to bring you to my place.’ He sucked in a quick breath, and then let out a low moan. ‘I’ve got one hell of a view from my sofa, and I want to make it better by putting you on your knees in front of me.’

Once she hung up, Molly felt electric. The commute was the same one she took to work and she could have been at his place in just over half an hour, but she had the sense that this was going to be an occasion, and she wanted to dress the part. She wanted to be a bombshell for him, for herself, and so she slipped into a black bra and thong set and accentuated it with a matching belt and stocking set. She covered it all up with a green bateau dress, then tucked herself back into her anorak.

Luckily, they were going through a mild spell and the wait by Lake Ontario didn’t leave her with pins and needles in her nearly bare thighs and ass. He appeared on the boardwalk, jogging towards her in navy-blue track pants with white stripes and a grey T-shirt patched with sweat stains.

For a moment he didn’t see her, which gave her the luxury of getting over the shock of viewing him in this element. She didn’t get to see it that often. When he came in from a run while at her place he bolted right to the shower and emerged brand new. The most she got was a blur.

The dirty sneakers and the reddish hair curling around the edges were such a far cry from the spit and polish of his trade. There was Quinn the smooth, the heartthrob women paid to spend a few hours with, and then there was Quinn who lounged, rumpled and gorgeous, in the bed she had slept alone in for so long.

She liked this incarnation, and rose to meet him. As his attention fell on her, he slowed down to a trot.

‘You must be frozen,’ she said as he slowed, a smile forming on his lips, and leaned into him when he was close enough. ‘What happened to your hard-on?’

‘I had a brief chat with my dick and told him if he was patient, he’d have something better than my hand to contend with.’ He slipped his arm around her, and she parted her lips for him, but he quickly pushed her away. ‘I stink, and I don’t want to sweat all over you – yet.’ He took her hand. ‘I’ll shower, and unless I come up with something better, I’m going to spread you out on my dining-room table and fuck you half-dressed.’

She glanced around to see if anyone had heard, and was strangely disappointed to discover that no one had. Other joggers, some alone and some in pairs, ran past them on the path, oblivious to the sexual negotiations that had opened up. The moment was so significant to her that it was almost insulting that no one noticed the earth shift a little under their feet.

**

Mmm hmm…that’s Quinn for you. Wow. You can find out more about all books in the Carried Away series right here. Don’t miss out on this series, it’s hot!

XX,
Jade

“I always look forward to what A.M. Hartnett is going to say next. This is the truth. Whether in an email, a blog post, on Twitter, or in one of her erotic stories, I am always curious to see what Hartnett will come up with. She’s got me on the edge of my seat (in more ways than one).” – Alison Tyler, author Dark Secret Love.

A.M. Hartnett began writing erotica upon receiving what, at the time, she considered very bad advice from a career counselor. Since 2006, her short stories have appeared on the web and in various anthologies, including Kristina Wright’s Best Erotic Romance series and Rachel Kramer Bussel’s Curvy Girls.

Find out more about A.M. Hartnett at http://www.thebewilderedwriter.com.